Greetings. Believe it or not, there was life before Christmas. My post for today is not to take away anything from that holiday, nor to point out the African origins of Balthasar, one of the three wise men described in the 8th century by Saint Bede as being of "black complexion, with [a] heavy beard". However, Christmas is the story of hope, the arrival of a messiah and as the biggest Christian festival on the calendar it allows people to celebrate the best moments from the year and look forward to a new year. All these traits are evident in religions from all walks of life.
Following the Afrocentric spirit of this blog I'll share some tenets of religious festivities from the Africa of old.
The New Moon
The new moon was always hailed with delight and people believed that it brought blessing. Mothers took their babies out and tried to make them look at the new moon, for that ensured health and rapid growth.
The appearance of the new moon was a time of universal rejoicing, when people gathered together and dancing continued far into the night, with much beer-drinking. Men and women danced separately, the men on one side and the women on the other, and they danced either standing up or crouching as they preferred.
When a baby was about a month old, the mother took it out when the new moon appeared and tried to induce it to look up at the new moon, for she believed that this would bring it blessing and ensure satisfactory growth.
The Annual Festival
The god Mukasa held the highest rank among the gods of Buganda. Mukasa was a benign god; he never asked for the life of any human being, but animals were sacrificed to him at the yearly festivals, and also at other times when the King, or a leading chief, wished to consult him. He had nothing to do with war, but sought to heal the bodies and minds of men. He was the god of plenty; he gave the people an increase of food, cattle, and children. From the legends still current it seems to be almost certain that he was a human being who, because of his benevolence, came to be regarded as a god.
The drum (Betobanga) was beaten for the annual festival, on which occasion the rhythm had to be kept up at intervals by day and by night until the end of the festival ; the drum also announced the appearance of the new moon, warned the people of the monthly cessation from work, and made known when any special festival was to be held, as for instance, when the King sent to consult the god.
The principal ceremony was the annual festival, when the Kabaka sent his presents to the god, to secure a blessing on the crops and on the people for the year. The offering consisted of nine white cows, nine white goats, nine white fowls, nine loads of bark cloths, and nine loads of cowry-shells. The King's representative had to go to Gabunga, the chief of the canoes, who accompanied him to the island. ... The festival lasted at least twenty days, during which time the men had to observe the rule of chastity and to live apart from the women. When the festival was at an end, the priest sent the Kabaka a message from the god, and gave his representative a present of a cow. The present was sent through Gugii to the chief Gabunga, who handed it to the representative. At this festival crowds of people gathered together, because, when the ceremonies ended, the priest gave the blessing to them, their wives, children, cattle, and crops. It was from Mukasa that the great blessing of twins came; he was said to show his esteem for certain women in this manner.
The Calabash Festival
In the U.S., African Americans began commemorating Kwanzaa in the 1960s, observing the seven principles of African Heritage; unity, self-determination, collective work, cooperative economics, purpose, creativity and faith.
Kwanzaa largely borrowed from the Zulu festival Umkhosi Wokweshwama (Calabash Festival). When Shaka reigned as king, he expanded the importance of the festival giving it a greater military significance. A bull is sacrificed and the king crashes a calabash as a symbol to the people to start enjoying the fruits of the harvest.
Everywhere there were words praising the rule of Shaka.
His brothers began to distrust their own close friends.
At this very time Shaka sent a word
Ordering a great festival to be held throughout Zululand.
Each family and clan was to make a sacrifice to its Ancestors.
Young men and women had to stage their own gala dance.
Everywhere new songs and new poems were composed.
Shaka himself led the regiments to the mountain;
Here, it was said, King Jama used to gaze at the horizon.
The great concourse of regiments raised their voices and sang
They circled the mountain, imitating the giant river-snake.
Crowds followed the king to the flat top of the mountain
There to witness the games of strength initiated by Shaka.
People were adorned in their elegant finery,
Walking proudly, like girafes following the path of the forest.
When all the crowds had assembled,
A black bull was let loose into the arena
And ten young men were to kill it with bare hands.
The great mountains echoed with voices of praise.
After this event huge fires were lit to roast meat.
A season of plenty and fun dominated throughout Zululand.
In many regions large fires could be seen
Attesting to the feasting of this festival.
From afar could be heard the raised voices singing in the night.
By their songs they invited others,
Until the whole nation seemed absorbed in song
Happy Holidays!
Ceteris. Paribus.
Kaggwa, A. (1934). The Customs of the Baganda (E. Kalibbala, trans.).
Karenga (Maulana.). (1998). Kwanzaa: A celebration of family, community, and culture. University of Sankore Press.
Kunene, M. (1979). Emperor Shaka the great: A Zulu epic (Vol. 211). East African Publishers. pp. 319-321.
Lubogo, Y. K. (1960). History of Busoga. EALB.
Roscoe, J. (1911). The Baganda: An account of their native customs and beliefs. Macmillan. pp. 290, 297-299.
Roscoe, J. (1924). The Bagisu and other tribes of the Uganda protectorate: The third part of the report of the Mackie ethnological expedition to Central Africa (Vol. 3). The University Press. pp. 108, 116, 124.





